Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Morrow, Mary Sue: German music criticism in the late eighteenth century. Aesthetic issues in instrumental music. (1997), xiii, 253p | |
| 2. | Morrow, Mary Sue: The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. DeClavicordio 4 (2000), 87-94 | |
| 3. | Morrow, Mary Sue: Grundlegende Aspekte der deutschen Musikkritik um 1800. LeipzigMStadt 2bis (2007), 82-90 | |
| 4. | Morrow, Mary Sue: Reclaiming the eighteenth-century symphony. [ce]18cSymphony (2012), 3-17 | |
| 5. | Morrow, Mary Sue: Historiography of the eighteenth-century symphony. [ce]18cSymphony (2012), 18-39 | |
| 6. | Morrow, Mary Sue: Eighteenth-century viewpoints. [ce]18cSymphony (2012), 40-74 | |
| 7. | Morrow, Mary Sue: Patrons and practices. [ce]18cSymphony (2012), 75-99 | |
| 8. | Morrow, Mary Sue: Carl Philipp Emanuel Bach. [ce]18cSymphony (2012), 280-298 | |
| 9. | Brown, A. Peter; Morrow, Mary Sue; Churgin, Bathia (eds.): The eighteenth-century symphony. [ce]18cSymphony (2012), xvii, 897p | |
| 10. | Morrow, Mary Sue (ed.): Music in eighteenth-century culture. [cr]Bethlehem2014 (2016), xiii, 206p | |